Document Type : Research Paper

Author

Department of persian language and literature education, Farhangian university, p.o.Box 14665-889, Tehran, Iran.

Abstract

This study examines the destereotyping of the wolf archetype in Åsa Lind’s The Sand Wolf trilogy. Accompanying a young girl, the Sand Wolf engages her in poetic, emotional, and philosophical dialogues that encourage questioning and reflection on the mysteries of life. In the trilogy, the wolf—traditionally associated in many ancient narratives with bloodthirstiness, deception, and threat—is transformed into a wise, kind, playful, and vulnerable being. Using a qualitative, descriptive-analytical design and an interpretive-hermeneutic approach, the study draws on the six-phase model of reflexive thematic analysis. Coding of semantic units yielded seven major themes: the wolf as a philosophical and emotional guide; the wolf as a symbol of nature; the disruption of the good/evil binary; the wolf as a mirror of the child’s development; nature as a safe and dynamic space for profound reflection; the wolf as a creative cosmic force; and the fluidization of gender roles and signs. The findings suggest that destereotyping in the trilogy does not so much dissolve the human/nonhuman binary as reverse and reconfigure traditional binaries. Concepts such as “cosmic nourishment,” “doing nothing,” “contemplative stillness,” and acceptance of the “shadow” resonate with ecological and posthumanist values, while poetic language, representations of nature, emotion, wonder, and existential reflection foreground the work’s lyrical dimension. However, the trilogy’s romantic idealism sometimes reduces the complexity of ecosystems, nature’s destructive dimensions, and human tragedy to poetic aesthetics. Thus, although the trilogy offers a poetic critique of modern acceleration and consumerism and provides a constructive model for teaching environmental values to children and adolescents, it requires a critical and balanced reading. Cultural differences among readers should also be considered, as they may shape interpretations of such acts of stereotype disruption.

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